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An American Carol

Sigh. I really wanted to like An American Carol, but the writers and editors made it very hard. Comedy about a serious subject is always a difficult balance, but apparently first-rate talent was somehow unwilling to attempt it. Three possibilities exist. The first is simply that scriptwriters and editors are so divorced from reality as to be unwilling to participate. The second is that scriptwriters and editors are too afraid of being blacklisted to participate. The third (and sadly most likely) possibility is that first-rate comedic talent simply no longer exists in Hollywood.

I mean, really, when was the last good movie you’ve seen? When you did see one, was it by Pixar? We know that Pixar makes authentic Disney movies, because real Disney movies make us cry. Of course, they also make us laugh, but such is a balance found in great drama, and certainly not a balance found in slapstick comedy, which relies rather on one gag after another, keeping the audience from catching its breath. Too much breathing room was left in this movie; An American Carol is simply not paced as well as earlier films. Let’s face it, Airplane! and similar previous works by the producers are only ‘classic comedy’ by comparison to the other clunkers the movie-going public has had to endure since the demise of the old Hays code. I considered a detailed analysis of the plot and jokes, but since the producers didn’t bother, why should I?

The past always seems better than today, because that which was ugly, useless, or immoral has generally been discarded. This does not mean that evil, foolishness, and bad taste were absent, nor does it mean that such things are acceptable because they have always been. Some eras of history just seem thinner than others because there was little worth preserving. So far, the 21st century seems more notable for its technology than its culture.
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